|Posted by tapestrypoetry.webs on March 11, 2014 at 6:10 AM||comments (0)|
"MEMORIES" tapestry by Shernaz Wadia and Nilouffer Rana is a very good efffort at weaving a magical journey through the past of childhood dreams to the present of life's realities....Keep weaving....GIVE ME MORE !! All the best to the tapestry duo!! J. S. Broca
|Posted by tapestrypoetry.webs on November 19, 2013 at 12:55 AM||comments (0)|
“Destiny itself is like a wonderful wide tapestry in which every thread is guided by an unspeakable tender hand, placed beside another thread and held and carried by a hundred others.”
― Rainer Maria Rilke
“It will be very interesting one day to follow the pattern of our life as it is spread out like a beautiful tapestry. As long as we live here we see only the reverse side of the weaving, and very often the pattern, with its threads running wildly, doesn't seem to make sense. Some day, however, we shall understand.
In looking back over the years we can discover how a red thread goes through the pattern of our life: the Will of God.”
― Maria Augusta von Trapp
We all should know that diversity makes for a rich tapestry, and we must understand that all the threads of the tapestry are equal in value no matter what their color.
We don't accomplish anything in this world alone... and whatever happens is the result of the whole tapestry of one's life and all the weavings of individual threads form one to another that creates something.
Sandra Day O'Connor
Nature uses only the longest threads to weave her patterns,so that each small piece of her fabric reveals the organization of the entire tapestry.
Richard P. Feynman
The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect.
The tapestry of life continues to be woven. Occasionally a chance arises to repair an older, tattered piece of the weave. Something happens to jolt our awareness back in time to an event that resulted in tears and rips. With new, more mature vision, we see the circumstances in present time and have compassion for the unclear events of the past. While the new experience is being woven into the design, the old rip is simultaneously being repaired. All is well.
As I look back at the entire tapestry of my life, I can see from the perspective of the present moment that every aspect of my life was necessary and perfect. Each step eventually led to a higher place, even though these steps often felt like obstacles or painful experiences.
|Posted by tapestrypoetry.webs on November 16, 2013 at 4:10 AM||comments (0)|
Cloth of St Gereon
The Cloth of St Gereon is a mural tapestry of a repeat pattern with a decorative motif of a bull being attacked by a griffin, a fantastic creature with the body of a lion and the head and wings of an eagle. The Cloth of St Gereon is the oldest known European tapestry still existing, dating to the early 11th century. A number of European museums hold sections of the original cloth, which was cut into fragments in the 19th century.
The seven-colour tapestry shows medallions with bulls and griffins in combat. It was probably adapted from Byzantine or Syrian silk textiles. The motifs of the tapestry could also have derived from Sassanian textiles found in Cologne. The addition of oriental themes in the framing reveals a first attempt at variety.
The border design and background are probably the inspiration of Europe, not oriental. They are similar to 11th-century illuminated manuscripts of Cologne and Western Europe. There are no other examples of tapestry similar to this that survive other than the oldest tapestry panel in the cathedral of Halberstadt depicting "Abraham and the Archangel Michael", which was probably woven around 1175 A.D.
The size of the Cloth of Saint Gereon fragment at the Musée des Arts décoratifs de Lyon is 0.74 by 0.76 metres (2.4 × 2.5 ft). The style of design, which is strong in oriental and Byzantine character, is often also found in woven silks of the eleventh century. The colors of the characters now are a faded green, brown, blue and red. The background may have been colored (probably brownish-blue), but this is now undeterminable as it is almost completely faded out. Tapestry historian Hunter says the design is of Byzantine origin, however the weave indicates an oriental maker.
Scholars place the area it was made in Cologne in the early part of the 11th century. The name for the tapestry is taken from the place of origin, the St. Gereon's Basilica in Cologne. It was hung in the church choir area.
The tapestry was cut into four fragments by the leading German art historian Dr. Franz Bock. These were then acquired in or around 1875 by four European museums. The fragments of the Cloth of Saint Gereon are located at the Musée des Arts décoratifs de Lyon (one almost complete roundel with linking lion mask roundel), the Kunstgewerbe-Museum in Berlin, Germanisches Nationalmuseum in Nuremberg (two roundels of the main field, a top segment cut) and the Victoria and Albert Museum in London (bottom and right border). A large part of the original is now in the museum at Lyon, while smaller parts are at Berlin and Nuremberg. There were several exhibition tours in Paris showing the Lyon museum fragment of the Cloth of St Gereon from 1989 to 1998.